Bassem Akiki is a Lebanese-Polish conductor as guest performs with many orchestras and music theaters around the world such as Théâtre de La Monnaie in Belgium, Philharmonie de Paris and Féstival d'Aix-en-Provence in France, Chamber Orchestra of Philadelphia in the USA or Warsaw's National Opera, Sinfonia Varsovia and the Polish National Radio Symphony Orchestra NOSPR in Poland. In 2016, he was nominated for The International Opera Awards and recently he won the Polish Theatrical Music Award as Best Conductor. Till end of 2018 he held the position of the artistic director of the Silesian Opera in Bytom (Poland). From 2015 till 2020 he was the artistic director of the NFM New Year's Festiwal in Wrocław (Poland).
Bassem Akiki began his musical studies at the High National Conservatory of Music in Beirut (Lebanon). Simultaneously he studied philosophy in the Lebanese University in Beirut (Lebanon). He received his master degree in choir conducting at the Academy of Music in Cracow summa cum laude and master degree in symphony and opera conducting at the Academy of Music in Wroclaw with excellent results. His philosophical studies led him to analyze the relation between philosophy and music – after his master thesis concerning Wagner – Nietzsche – Strauss, he wrote his PhD thesis (F. Chopin University in Warsaw) about P. Eötvös’ Angels in America – Anthropocentrism And Theocentricism In The 21th Century Music, and has conducted the polish premiere of this piece during the third Festival Of Contemporary Opera in September-October 2012 in Wrocław (Poland).
Beside conducting, Bassem Akiki’s interests gather around the music of the East and the West – their mutual influence is the theme of lectures that he gave from 2007 at the Philips University in Marburg (Germany). He also led many masterclasses in prestigeous and highly ranked academic instituations such as Queen Elisabeth Music Chapel in Waterloo (Belgium), Opera Academy of La Monnaie in Brussels (Belgium) and Swarthmore College (USA).
At the age of 24, Bassem Akiki had his debut conducting G. Verdi’s La Traviata at the Opera of Wroclaw, where he held the position of Conductor till 2013. He has built an extensive operatic and symphonic repertoire and has a very rich experience in the operatic field, conducting such repertoire as W. A. Mozart’s die Zauberflöte, Così fan tutte, La Finta Giardiniera and Don Giovanni, G. Bizet’s Carmen, G. Verdi’s Nabucco, La Traviata, Rigoletto, Giovanna d’Arco and Falstaff, R. Strauss’ Die Frau ohne Schatten, J. Offenbach’s Les Contes d’Hoffmann, Ch. Gounod's Roméo et Juliette, G. Puccini’s Turandot, Madama Butterfly, Tosca and La Bohème, M. Musorgski’s Boris Godunov, S. Prokofiev's Fiery Angel, P. Dusapin's To Be Sung, T. Adès' Powder Her Face. In 2013 he made his debut in the Polish National Opera with G. Verdi’s Nabucco and conducted there the same year Tchaikovsky’s Iolanta and Bartok’s Bluebeard’s Castle.
Beside the classical repertoire, Bassem Akiki prepared and conducted world premieres of many new compositions by contemporary composers such as N. Lens' and J. M. Coetzee's opera Slow Man performed during the Malta Festival in Poznan in July 2012, Medúlla with the music of Björk in La Monnaie in 2015, Orfeo and Majnun in La Monnaie and at the Festival of Aix-en-Provence in 2018, Mark Gery's Frankenstein which had it's world premiere in March 2019 in La Monnaie in Brussels.